using pgp for artificial digital scarcity. lol
"Extraction—of natural resources and of labor—is the defining American act, at home and at war. Inasmuch as art is for the statement of itself, earthworks such as Heizer’s extract for the sake of extraction. To me he is the most patriotic of artists. The effect of an earthwork is never big enough to critique its circumstances nor generative enough to counter the harmful effects of its creation. In this, the NFT producers have accomplished something great, and outdone the 1970s land artists. With minimal labor, no pretense of theory or contextualization, no aesthetic clarity, and no object to speak of, they have set off exponential extractions. It’s not new; it’s just worse." [...] "Art can’t fill the damage done by extraction and enshrining a site of extraction through installation, reframing it as a cultural space, is a softened blow rather than an elucidation. When art fills a void, it justifies the void."
brilliant essay on nfts, arts, politics, economics: "This comparison isn't really rigorous at all so i won't spend more time on it, i just thought the concept of a bourgeois failson containment zoo was funny." also: "The artists have exactly as much depth of existence as everyone, but they had the time and means to develop tools to communicate it in specific ways, and access to specific platforms. Any attempt to naturalize these privileges into an intellectual, emotional, creative superiority of artists over the rest of the people is absolute garbage, and should be treated with the disdain it deserves."
"the new and the first are temporalities that often attract and accrue value in the art market"
"We see crypto as a mob of misguided fools repeating the ecological disaster of Easter Island on a global scale for the sole purpose of selling man-child themed Neopets."
"As a capital extraction mechanism, the crypto aspect is brilliant - it’s a natural connection to a speciously valuable industry full of frothy capital and desperation."