"We need to ensure that human creators are compensated, not just for the sake of the creators, but so our books and arts continue to reflect both our real and imagined experiences, open our minds, teach us new ways of thinking, and move us forward as a society, rather than rehash old ideas."
"The chatbot’s answers sound extremely specific to the current context but are in fact statistically generic. The mathematical model behind the chatbot delivers a statistically plausible response to the question. The marks that find this convincing get pulled in." this is really good but i wish it approached the topic of psychics with a bit less bro-ey skepticism
"[E]ducational technology is overly dominated by psychological conceptions of individual learning... AI-based personalized learning systems [are] based on notions of mastery and... statistical measurement," reflecting an "assumption that human intelligence is an individual capacity, which can therefore be improved with technical solutions — like tutorbots — rather than something shaped by educational policies and institutions."
"These AI jobs are [the] bizarro twin [of 'bullshit jobs']: work that people want to automate, and often think is already automated, yet still requires a human stand-in." [...] "When AI comes for your job, you may not lose it, but it might become more alien, more isolating, more tedious."
"AI is not a way of representing the world but an intervention that helps to produce the world that it claims to represent. Setting it up one way or another changes what becomes naturalised and what becomes problematised. Who gets to set up the AI becomes a crucial question of power."
"It matters that the first staticky voices we’ve dialed in with our massive, multi-billion-parameter arrays are dreamers, confabulators, and improvisers. It matters that Chess and Go, the sites where we first encountered their older, more serious siblings, are artworks. Artworks carved out of instrumental reason. Artworks that, long before computers existed, were spinning beautiful webs of logic and attention. Art is not a precious treasure in need of protection. Art is a fearsome wellspring of human power from which we will draw the weapons we need to storm the gates of the reality studio and secure the future."
from Joanne McNeil: "... artificial intelligence with personality could become an early twenty-teens kitschy retro artifact. [...]
The Tesla Bot announcement seemed to pre-figure this. The person in robot costume danced to music that sounded reminiscent of Daft Punk’s Tron: Legacy soundtrack, which was released more than ten years ago. This isn’t the future. It’s an aesthetic that’s played out."
"To be fair, some of the research is useful and nuanced, especially in the humanities and social sciences. But the majority of well-funded work on 'ethical AI' is aligned with the tech lobby’s agenda: to voluntarily or moderately adjust, rather than legally restrict, the deployment of controversial technologies. [...] It is strange that Ito, with no formal training, became positioned as an 'expert' on AI ethics, a field that barely existed before 2017. But it is even stranger that two years later, respected scholars in established disciplines have to demonstrate their relevance to a field conjured by a corporate lobby."
"The Transformer is nothing more than an architecture where the core functional unit is attention. You stack attention layers on top of attention layers, just like you would do with CNN or RNN layers."
"As machine learning algorithms are commoditized, those who can work along the entirety of the applied machine learning arc will be the most valuable."