"Working with or against writing systems and what other poets and artists have done with them, we learn something vital about language as it relates to identity that isn’t taught in critical ethnic studies classes or by community elders or culture workers. Or in an MFA poetry workshop, for that matter. And what poets know about language and identity that people whose institutional job or mission it is to know about language and identity do not know is in the poet’s work, in the poems. "
as much as I recognize Whedon's shortcomings, I really didn't connect with this specific criticism—seems to be arguing that particular "realist" techniques ("show don't tell") should be valued over their alternatives... e.g. I don't agree that stories are (or should be) "about letting the audience disappear into a world you created."
"Icons are not primitive or rudimentary attempts to duplicate the physical world; they are nuanced and complex attempts to embody the spiritual world."
"[a] dictionary and graphical data for over 9000 of the most common simplified and traditional Chinese characters. Among other things, this data includes stroke-order vector graphics for all these characters." (via gábor ugray's !!con 2020 talk)
"Face lets you edit both the text and the font it is rendered in. In text mode you can type and edit text normally. Press escape to enter font mode, where you can select a character to edit. Any changes to a character are visible immediately."